Friday, April 17, 2015

A Fantastic Visit With Christopher Tracy at Channing Daughters (NY)


So, less than a month ago I was visiting family and friends in Southampton and paid an unexpected and unplanned visit to Channing Daughters. I dropped in out of the blue on winemaker Christopher Tracy. We had never met before, but I am a fan of his wines, and rarely have gotten out to Southampton in the last five or so years. So it was a great treat to stop in and find him there working towards the end of the day. It was a big thrill!

Chris is a great guy. Charming, chatty, and a wine geek. It's easy to see why I like his wines. We started talking wine and it was only the fact that we were in the waning hours of the day (we both had commitments) that stopped us from talking all day long.

Christopher Tracy is a partner and the winemaker at Channing Daughters. James Christopher Tracy was born and raised in the San Francisco Bay Area. Christopher attended schools on both the East and West coasts, and after earning a BA in Performing Arts/Philosophy, he migrated to NYC to pursue graduate theatre training. In 1993, with wife Allison Dubin, he co-founded the Momentary Theatre, a not-for-profit organization that performed in California, New York, Texas, Connecticut and Hungary. After several years of writing restaurant reviews in NYC, on the side, Christopher attended the French Culinary Institute in Manhattan. After he graduated he worked in everal fine restaurants while he earned his Sommelier Certificate from the Sommelier Society of America as well as the Higher Certificate from the Wine and Spirits Education Trust. He was awarded the Diploma from the Wine & Spirits Education Trust (WSET) which entitles him to the D.W.S. distinction. He also holds a certification from the CWE (Certified Wine Educators) and is currently a candidate for the Masters of Wine.



Christopher's initial involvement with Channing Daughters Winery was as a Wine Club Member, then as a Team Merlot member. In 2001 Christopher began developing several new products and prestige cuvees for the winery. He is now a partner in the company, as well as the winemaker.


According to New York Cork Report editor-in-Chief, Lenn Thompson, "I think that most fans of Channing Daughters Winery (and they are an ever-growing army) would agree that it’s a white wine shop. Sure, they make a few different red wines too, but most pale when compared to winemaker Chris Tracy’s stellar white wines." I like Chris's red wines, but the whites are indeed impressive.

Sylvanus 2013 is a wine of place, a vin de terroir. This bone-dry, aromatic white wine is a true field blend comprised of 60% Muscat, 30% Pinot Grigio and 10% Pinot Bianco all grown together, harvested together and fermented together. Sylvanus is not only the name of the wine, but the name of the vineyard. According to their notes, “All of the fruit was hand-harvested, whole cluster-pressed, fermented in stainless steel barrels …and older oak barrels….” Exotic fruits waft across the nose, including grapefruit, tangerine, and honeysuckle all come through as promised. Nice zippy acidity keeps the wine vibrant and refreshing as well as delicious. Fantastic!

According to Tracy’s notes, “The 2013 Pinot Grigio features fruit from both our home farm in Bridgehampton and from the Mudd West vineyard on the North Fork, hence the blended Long Island AVA….For our 2013 version all the fruit was hand–harvested, whole-cluster pressed, fermented in stainless steel barrels (40%) and older/neutral oak barrels and hogsheads (60%). The wine was handled minimally and bottled by gravity (after eleven months on its lees) on August 4th, 2014.” It’s 1000% Pinot Grigio. 2013 Pinot Grigio is an explosion of pears, lemons, tangerine, set against a backdrop of floral notes.  This is a nice, bright, light, zippy Pinot Grigio with lovely minerality, fresh acidity, and a lovely, light finish. 

2012 Tocai Friulano Sylvanus Vineyard was an eye opener! It is the only other Tocai Fruliano I know of on the east coast other than that grown and made at Millbrook Vineyards in the Hudson Valley. “Our Sylvanus vineyard Tocai was harvested by hand, whole-cluster pressed and fermented and raised in 47% stainless steel barrels and 53% older French puncheons for eleven and a half months. This white grape is native to the Friuli-Venezia Giulia region in Northeast Italy…” Aromatic and zesty, an elegant white wine. Impressive!

2012 L'Enfant Sauvage Chardonnay
According to Tracy’s notes, “L’Enfant Sauvage is made from 100% Chardonnay grapes hand-harvested from our Brick Kiln and Sculpture Garden vineyards here in Bridgehampton. The grapes are gently whole cluster pressed, the juice settled overnight and then all new French and Slovenian oak barrels are filled to the top. The ambient/wild/spontaneous (whatever you want to call them) yeast kick in and the wine ferments. The secondary malo-lactic fermentation also happens 
spontaneously and we leave the wine on its lees until blending and bottling. In the past L’Enfant has spent 13-14 months in oak….beginning with the 2008 and again in 2009 the wine spent 18 months in barrel; in the 2010 vintage our L’Enfant had 20 months to make those barrels home, and this the 2011 vintage spent 22 months in barrel! This way the wine has a chance to live through two winters in wood and as the Burgundians say “then able to stand on its own two feet””

This wine is a paradox. Firstly, the wine itself is lean, bright, and filled with great acidity, so the fruit stays alive in your mouth for a nice, long time. Apples, citrus, pears, honeysuckle, melong, brioche (per Tracy…and he’s right!), and some lovely spices end this gorgeous wine. But it’s a paradox because such a light, light wine shouldn’t be able to carry all that. And it does! Beautifully. This is as layered a Chardonnay as you will fine. Marvelous!



2011 Envelope is made from 62% Chardonnay, 28% Gewurztraminer and 10% Malvasia Bianca. . According to Tracy’s notes, “All the fruit was hand-harvested from our home farm in Bridgehampton and was gently de-stemmed, crushed by foot and fermented on its skins. The wine was all co-fermented (all wild with ambient yeast) for 17 days on its skins after which the wine was bucketed out and pressed off then put in 52% new oak and 48% old/neutral oak where the wine spent 22 months….” The idea is that is a white wine with color, white made like a red. It’s got tannin and structure, with full malo-lactic fermentation and just 5.6 grams of acid according to his notes. God, the wine geek in me is just boiling over with tension! I love this shit!

The result is an aromatic wine that is absolutely incredible. How incredible? I drank the bottle within one day of returning home. And it’s a white! I couldn’t wait to open it! I was like a little kid, it was the first bottle I tried from my entire trip!

It’s a darker white, or it has more color, whatever you want to say. It’s light. You can see through it. It’s just that the hue is more like brass in color. Still see through. Like a good champagne.  Apricots, peaches, honey, roses, lychees, brown spice, apple compote, minerals all come through as promised. This is a great quality wine, made in the European sense, with fantastic complexity and sophistication. Absolutely one of the shining stars of an already impressive wine list. Amazing!


Howard G. Goldberg once wrote in the New York Times, "Rosés are blossoming throughout Long Island wine country. At least 32 of the region’s more than 50 producers make them, and Channing Daughters, with eight, is in the vanguard." I only got to taste one. The Rosato Petillant Naturel 2014, which was absolutely gorgeous!!!!

For those of you not familiar with Pet Nats (as they are known), wine writer Ted Loos explained them best, writing, "The name means “mildly, naturally sparkling” in French, and the wines—known as “pet nats” to their small but devoted fan base—are made in a completely different way than Champagne and prosecco, with a taste to reflect it.In short, winemakers stop the normal winemaking fermentation process before all the natural sugar has been gobbled up, topping off the wine with (usually) a crown cap. As a result, the extra carbon dioxide produced as the yeast eats the sugar gets trapped and voilà: bubbles, though not the in-your-face variety. Pet nats often have a bit of residual sugar (though most are not sweet dessert wines by any stretch) and a slightly lower alcohol content than other table wines, giving them a unique, quirky gentleness."

Bright, refreshing, with strawberries and limes pulsing out of the glass, but with hint of flowers and a nose dose of mineraliness. A nice spritziness, but not bubbly. Absolutely fantastic!

Rosso Fresco 2013 is comprised of 33% Merlot, 26% Cabernet Franc, 23% Petit Verdot, 15% Dornfelder, 2% Teroldego and 1% Blaufrankisch. It's a nice, easy drinking blend. A soft, approachable table reed that exudes stewed strawberries, black raspberry, cherry, plum, and both red and black currants. One can imagine grilling on the deck, chicken, pork chops, sausages, or even portobello mushrooms, and drinking a glass of Rosso Fresco. A fantastic summer red (when it's too hot to drink Cabernet Sauvignon) that's absolutely worthy all year round! Lovely!


Over and Over Red - Variation 7 is a predominantly Merlot based wine with the addition of Dornfelder. It's about a 70/30 split. More wine geekdom! So help me God, I do love it so! Again, from Tracy's notes, "There are people in the world making red wines with a ripasso method and there are people in the world using a solera system of blending for some red wines but we know of no one, other than us, who have put both together to create a distinctive and tasty red wine. It all began with four barriques of 2004 Merlot that was taken out of barrel and re-passed over the fresh 2006 Merlot and Dornfelder fruit. The wine underwent another primary fermentation and was racked to barriques, hogsheads and puncheons where it underwent another malo-lactic fermentation. Half of the wine was taken and bottled after ten months in oak, and this was Variation One. The other half remained in barrel until the next harvest where it was re-passed over the 2007 Merlot, Syrah and Dornfelder fruit. It was all repeated and we bottled half as Variation Two. We did this again in the 2008 harvest and bottled Variation Three." And so it all began. I get goosebumps with this kind of wine-think.

Variation Seven opens with violets, dark raspberries, black pepper, stewed cherries, baking spices all very much like a Santa Barbara Pinot Noir, but with way more complexity and layers of aroma and flavor. The fruit lasts and lasts. The nose is beautiful. Again, to me, the perfect three season red - perfect for spring, summer, fall - and absolutely worthy of winter as well. Buy a case. It's a great house red your friends and family will absolutely be impressed with.

I tasted a dozen wines, and Christopher could not have been nicer nor more accommodating. The wines were absolutely fantastic! It made me want to move to Southampton and start living the life of a summer resident ASAP. Fantastic stuff. Christopher Tracy is a wine geek's dream come true. His wines are inventive, thoughtful, and soulful. Loved it! Absolutely coming back sooner rather than later. I'll need to buy a couple of bottles for my family that lives in the area. So look forward to coming back and tasting what Christopher has in store next. Amazing.

Behind the Bottle by Eileen M. Duffy: The Rise and Rise of Long Island Wine

I am Eileen M. Duffy's editor at Cider Mill Press. I feel compelled to write about this particular book because East Coast Wineries, and New York state in particular, are my normal realm of coverage. I have reviewed other books on East Coast wine, and more reviews are due. This book, in particular, falls into the wheelhouse of the editorial concerns of this blog, and thus it would be odd for me to not review or say something about this book. That said, this is more a proud letter from the editor than it is a review. - C. DeVito

I was actually going to write a piece sometime ago about Long Island wine entitled: The Best Winemakers in New York State Are Hiding out in Long Island. To me, Long Island wines have been overshadowed, vis a vis publicity, by Virginia, the Finger Lakes, even the still emerging Hudson Valley. And of course, Long Island based its early reputation on such standards classic noble grapes as Chardonnay and Merlot, both of which grapes have received a bludgeoning at the hands of wine cognoscenti for being too ubiquitous and unoriginal. But it was these wines that helped solidify Long Island’s reputation.

But the truth is that it was Long Island that started the entire quality wine movement on the east coast. Hey were first. They did it better. And they are still doing it great. And in my opinion, some of the eminently collectible and cellar-able wines of New York state and of the east coast are made right there on the island. It is a hot bed of quality winemakers, people like Richard Olsen-Harbich, Roman Roth, Eric Fry, Gilles Martin, Miguel Martin, Russell Hearn. They all bring local and international flair and experience to the region. The game has changed a little. There are hot young winemakers, like Kelley Urbanik Koch, Kareem Moussad, Christopher Tracey, and other, and new varieties, and new ideas. Now, not only do they make great merlots and chardonnays, but also great sauvignon blanc, cabernet franc, malbec, and even albarino. They are making great blends too!
 
Flat out – Long Island is still the Bordeaux or Napa of the east. They have been cutting edge in quality wine. And they have been cutting edge in sustainable practices. And they make great wines.
I’ve been wanting to publish a Long Island wine book for years, but could not find a quality wine writer who would commit to the project. Then along came Eileen M. Duffy.


Eileen M. Duffy, editor at Edible East End and Edible Long Island, holds a diploma in wine and spirits from the International Wine Center and has been writing about food and wine on the East End since 2003. She’s great. She’s written for newspapers and magazines. She writes for the lay person, and knows how to write a great feature piece. When I was introduced to her by Edible East End publisher Brian Halweil (whom I greatly respect), I thought this was finally the person who could tell this story. She’s been writing the Behind the Bottle feature for the magazine for many years.

Behind the Bottle is a fantastic read!

Profiling owners, winemakers, and personalities from around the country and the world, Behind the Bottle is a fun and intriguing look at the people who have made Long Island into one of the hottest wine regions in the country.

Long Island has been a leader in winemaking since 1975. In the last forty years, Long Island's rise has been meteoric. Long a rural region famed for their duck and their potatoes, Long Island, now visited by 1.3 million people each year, has carved out a wine country second to none. With highly acclaimed wines garnering rave reviews from Wine Spectator, Wine Enthusiast, the New York Times, the Wall Street Journal, and many other publications, Long Island wines have been celebrated around the country and across the Atlantic ocean. Here, Edible East End editor Eileen M. Duffy profiles winemakers and wineries that have received this high acclaim, and shares their stories. Men and women from as far away as California, France, even New Zealand have come here to create a wine country whose wines, including Chardonnay, Sauvingon Blanc, Merlot, and Meritages among others, are second to none. BEHIND THE BOTTLE illustrates the fascinating story from the region's birth to its zenith.

“Behind the Bottle offers lively vignettes of Long Island’s contemporary wine scene. In addition to focusing on the diverse personalities and philosophies of individual winemakers, Eileen Duffy also manages to convey a sense of the momentum that continues to sweep this wine region toward a respected and cohesive maturity.” (Marguerite Thomas, author of Touring East Coast Wine Country)

“[Eileen Duffy] tells the tale magnificently, whether you know Long Island wine or not. How do you weave a patchwork of ideas that adds up to a real feel for a place? You structure your book around the great masters of the region, past and present, who idiosyncratically tell you in many different ways about their personal Long Islands. It's magic.” (David Rosengarten, Editor-in-Chief, The Rosengarten Report)

"To call the Long Island wine region ‘emergent’ is dated thinking. It has arrived and is producing wines deserving of every wine lover's attention. The region also deserves this book. Eileen knows the region, its wines and the folks behind them. That enables her to shine the spotlight on the right people in the right way -- mixing the region's history with its pioneering, inspiring and sometimes controversial personalities." (Lenn Thompson, New York Cork Report)

“American wine is no longer made just on the West Coast. Eileen Duffy introduces us to the winemakers and personalities who have transformed Long Island from a potato-farming resort for New York's rich and famous to a wine-growing resort for New York's rich and famous. Along the way we meet the pioneers who had a crazy idea that European grapes could grow here and the modern pathfinders determined to make Long Island wine sustainable -- not just as a producer of world-class wines, but as an environmentally friendly enterprise.” (Dave McIntyre, wine columnist for The Washington Post and co-founder of Drink Local Wine)

“The American wine industry continues to grow, and with that growth we have seen some emerging regions really shine. Long Island is one of those regions. Behind the Bottle tells the story of Long Island wine from the people who made the region what it is today.” (Michael Kaiser, Director of Public Affairs, WineAmerica, National Association of American Wineries)


"This book will be essential, educational and enjoyable for those who want to learn more about the people, the grapes and the growing conditions of Long Island and its fine wines." (Richard Leahy, author of Beyond Jefferson's Vines)

I think Eileen M. Duffy has done a terrific job relating the stories of the winemakers, and their passions, in a wonderful, easy, fun read. A great series of stories of people who have come to Long Island from all over the world, to make wine in this exciting, and still emerging region.

I think you will like BEHIND THE BOTTLE.

Wednesday, April 15, 2015

Hudson Valley Fruit Wines Highlighted in Spring 2015 issue of Visit Vortex magazine



Fruit wines have never been more popular. From cassis and apple wines, to strawberry, raspberry, cherry and peach, among others, these sweet wines are fantastic with a cheese course or with dessert, and add a lovely ending to a perfect experience.





Read the whole thing at:
http://www.visitvortex.com/magazine/hudson-valley-fruit-wines